German for Shark passed as a big beautiful blur on first listen. Discounting the selection of remixes at the end, it’s actually quite a brief release, with big blocks of sound surging forth and fading into one another without too much pause for breath between each piece. The result is a gorgeous dreamlike montage, with vibrant snatches of ideas forming and melting quickly into something completely different just minutes later.
Male manage to fuse the various instrument components–cornet, guitar, vibraphone, saxophone, percussion, electronics, tapes–into a landscape which is both dynamically and atmospherically diverse, somehow retaining a strong sense of continuity and seamlessness all the while. Not only are these pieces beautifully arranged, but the sonic environment is also cleverly re-arranged in a manner which sustains a writhing, ever-morphing narrative from start to finish.